The Best Superman Movie (IMHO) by Dave Goode

For my money, the best Superman feature film to date, remains SUPERMAN AND THE MOLE MEN from way back in 1951. Produced by Barney A. Sarecky, written by Richard Fielding and directed by Lee Sholem, this little B-Movie was distributed by Lippert Pictures Incorporated. And it introduced the world to George Reeves in the role of Superman. With no Jimmy Olsen. And Perry White only briefly mentioned in the dialogue this black and white film seemed almost like an extended live-action version of the animated shorts the Fleischer Brothers produced for Paramount back in the 1940s.

The movie jumps right into the action.Clark Kent and Lois Lane arrive in the town of Silsby to cover the story of the world's deepest oil well. The drill however has penetrated into the underground home of a race of "mole men" who come to the surface to investigate what's going on. The town's people on first contact with the strange visitors from the center of the Earth form a mob intent on killing the creatures. Luckily Superman is around to prevent a tragedy.

More or less a sci-fi flick the movie's limited budget (estimated at 275,000 dollars) is obvious. George Reeves does some pretty effective Peter Pan take-offs.But his actual flying scenes are limited to two. One is a pretty cool overhead tracking shot where the viewer never actually sees Superman in flight.But at the same time you don't feel cheated.The other is a brief animated flight scene. It's pretty bad. But we still "believed a man could fly".  And of course there is the infamous vacuum cleaner/ray-gun that the Mole Men use. Something Irwin Allen might have tried on LOST IN SPACE. But it works.

What really works is the tightly written script.And George Reeves and Phyllis Coates as Superman and Lois Lane.Reeves is the perfect Superman. Even without a wind curl on his forehead. And his Clark Kent is even better. Though some purists might argue he's a far cry from the Clark Kent that Siegal & Schuster created. I've always preferred Reeves' mild-mannered reporter to the wimpy Kent played by other actors. And Coates was the perfect Lois Lane. Independent and gutsy.

You probably have seen this movie in it's edited form that was shown in two parts on THE ADVENTURES OF SUPERMAN television series where it was titled THE UNKNOWN PEOPLE. But if you've never seen the 58 minute movie version I suggest you search it out.Those missing 15 minutes do make a difference.

Eva Lynd..The Girl on the Sweat Mag Cover by Dave Goode

Born Eva Von Fielitz on Sept.2,1937 in Orgyte,Sweden,Lynd posed for glamour girl pin-up pics and appeared as eye-candy on television shows and in movies. She was best known however for her appearances on the covers of "men's sweat magazines". She was a favorite model of Norm Eastman,Al Rossi and Bruce Minney. She was recognizable as the lingerie-clad victims of Nazi brutality. Other times she'd be a sexy resistance fighter battling alongside American GIs and British commandos. And on still other occasions she was the SS She-Wolf torturing a captured P.O.W. If there was more than one woman in the scene look carefully. Chances are it was Eva with different hair coloring.

I was watching the camp classic

SHE DEMONS again the other day and was struck by how

much the story resembled something

out of a sweat mag. Only with more of a sci-fi/horror bent. 

Then I began to imagine

this flick starring Eva Lynd

and Steve Holland instead

of Irish McCalla and Todd Griffin.

Hmmm. Irish McCalla might have

made a good model for Pat Savage

as well. Tarzan actors like Buster

Crabbe, Herman Brix, Lex Barker

would have been great

portraying Doc Savage. Heck

TV's Tarzan of the 1960s Ron Ely

actually did play Doc in a

70s flick.So it's not hard to

imagine McCalla, the definitive

Sheena Queen of the Jungle

portraying Pat Savage..

the Girl of Bronze.

Written by Dave Goode

Layout and graphics by

Vance Capley

Why Couldn't They Just Have Made A Kaanga Movie? by Dave Goode

Comic art by Vance Capley

See how it was done on youtube. 

Something that's fascinated me for years is the love/hate affair Tarzan fans have with Johnny Weissmuller. To most fans he's either their favorite or second favorite movie Tarzan. But at the same time more than a few fans despise his interpretation of the "Lord of the Jungle" for not being more like the Tarzan of author E.R.Burroughs. As for myself I can live with either one. But I do prefer Weissmuller's "noble savage" to Burroughs' jungle ubermensch. And remember Johnny was working with the scripts that other people were writing. Also Weissmuller's Tarzan was hugely popular and provided the blueprint for most of the "kings of the jungle" that appeared in comic books and comic strips around the world for decades. No other fictional character has been imitated more in the pages of comic books than Tarzan. The Lone Ranger might be a distant second. But the majority of the ersatz Tarzans have more to do with Weissmuller than Burroughs.

I know in the past when movie studios bought the rights from the Burroughs
estate to make a Tarzan movie they were paying for the character's name recognition. Tarzan sells. But when the character has so little in common with the literary Tarzan I sometimes wonder why they even bother. Especially since they could've gotten the rights to do a Ki-Gor or Kaanga movie for a lot less.

Lex Barker could have been the greatest screen Tarzan of them all. Except for his blond hair he matched Burroughs' physical description of Tarzan almost perfectly. And he was an actor who was capable of more than just grunting. But whenever I watch one of his Tarzan movies where the writers and directors have him "aping" Weissmuller it's not hard for me to imagine that I'm watching a Kaanga movie.

  
Especially in the case of Tarzan and the Slave Girl (1950) with a screenplay by Hans Jacoby and Arnold Belgard and directed by Lee Sholem. Co-starring Vanessa Brown and Denise Darcel this was a story from a Fiction House jungle comic book come to life.

The World's Most Famous Movie Monster? by Dave Goode

 

My introduction to the classic Universal monsters (Dracula,
Frankenstein's monster and the Wolf Man)was in Abbott & Costello Meet Frankenstein at a Halloween party when I was about five or six.It's one of my favorite all-time movies.It's both funny and terrifying.In some places it's both at the same time.Just check out the scene in the sub-basement in the "house of Dracula".Or the film's exciting climax.

 

 

 My first Frankenstein movie was I WAS A TEENAGE FRANKENSTEIN ( a follow-up to I WAS A TEENAGE WEREWOLF). This variation of the familiar story has a descendant of the original Dr.Frankenstein, portrayed by the great Whit Bissell, following in his ancestor's footsteps. The twist has him assembling a creature from recently deceased high school athletes.

 The creature is portrayed by Gary Conway, an actor who began his career as a model in "physique magazines". I thought that this version of the monster with a fullback's legs and wrestler's upper body would have made a great adversary for a comic book hero without super-powers or for a Mexiluchahero.

 The theme was touched on in several masked wrestler movies with the heroes squaring off against variations of the Frankenstein monster. In some cases, the Frankenstein's monster itself as in Santo & Blue Demon vs. The Monsters. It's sort of like Abbott & Costello Meet Frankenstein without the laughs. It does have laughs....but they're mostly unintentional. 

Smashing Robots in 4000 A.D. by Dave Goode

 My favorite Silver Age sci-fi comic book was Gold Key's Magnus Robot Fighter 4000 A.D. That first issue stood out from everything else on the stands. That fantastic cover that featured what appeared to be, serial & B-Movie star, Buster Crabbe smashing a robot with a "karate chop" defending an Ann-Margaret lookalike cowering in the background. 

 Over the decades since it's first appearance back in 1963 the Robot Fighter feature has become a cult favorite. I attribute this to three things...

 First and foremost was the art. Not only did you have Russ Manning, one of the all time great comic book/strip illustrators drawing the stories ,but you also had wonderful painted covers that gave the title the look of science fiction paperbacks.

 

 Secondly you had robots. Nothing, except for dinosaurs and gorillas on a comic book cover,  was guaranteed to sell a mag like robots. And with a title, like Magnus, Robot Fighter, you were sure to have plenty of robots.  

 Thirdly, there was karate. It was that karate stuff that we had been seeing more and more of in movies and on television. It was never stated that Magnus was using karate, but the reader had little doubt.  I imagined the Robot Fighter was using the form of karate developed by the legendary Mas Oyama - kyokushin.

 Interestingly, Magnus' creator, Russ Manning, didn't originally conceive of Magnus destroying robots with shuto blows. That idea came from his wife. However she originally suggested the idea of Magnus leaping up on the shoulders of robots and unscrewing their heads.

 Manning originally imagined his "Tarzan of the Future" using a stone hammer and not tameshiwari techniques to turn robots into scrap metal. After reading about that. I re-imagined Magnus wearing something different than the "red mini-skirt and white go-go boots". Like something out of a gladiator movie. Even with the stone hammer, it's impossible not to think of Magnus using karate, if only as a back-up.

Faux fun by Vance Capley

For years fan-boys have imagined a live-action Magnus movie. Today, with CGI, that's even easier to imagine. But back in the 60s, we could only imagine Ray Harryhausen and a team of stop-motion animators bringing Magnus' robot antagonists to life. That or you'd have to trade down and use the type of robots seen in Target Earth. Casting the leads for the Robot Fighter movie might have proved a bit easier. Someone once told me, when casting a hero, just go with Ron Ely.

In this case, that was more than just good advice. Ely, who would star as Tarzan on television, would have been spot-on as Manning's "Tarzan of the Future".

 

Connie Stevens or Mimsy Farmer could have played his love interest Leeja Clane.

WHO WAS THAT MASKED MAN ANYWAY? by Dave Goode

There aren't too many film genres as entertaining then the masked wrestler movie. Nothing epitomizes the similarities between pro wrestling and comic books quite like them. Muscled men in masks (say that 3 times fast) fighting the forces of evil using the same skills that made them champion grapplers to fight werewolves,vampires,mad scientists and their creations,alien invaders from space and sometimes organized crime.

 The majority of these movies come from Mexico. And so sometimes they are referred to as Mexiluchahero movies by fans of the genre. But in that alternate universe that runs through my head, I can see American comic book companies purchasing the rights to these flicks to produce 4-color adaptations of some of the best-known of these movies. And then continuing with a series of comics featuring the stars. An el Santo series  drawn by Steve Ditko. A Blue Demon series illustrated by the tag-team of Carmine Infantino and Murphy Anderson. A Tinieblas feature drawn by Jack "the King" Kirby and Gil Kane drawing a Mil Mascaras comic. Of course Mexico had their own masked wrestler comics starring Santo, Blue Demon and others. I just can't help but think of how great versions drawn by the premiere arts of the Silver Age of comics would have been. 

Enjoy the short adventure below featuring an American comic book fan turned masked wrestling hero.

Grab Judo Comics today! Click the pic:

I DON'T NEED NO STINKING SUPER-POWER! by Dave Goode

 

If you're of a certain age, the first martial art you were introduced to was Judo. Judo, and it's parent discipline jujitsu, were used by the good guys in pulp fiction and the movies to fight for truth, justice, and mom's apple pie. And if you were a comic book hero, not possessing "powers and abilities far beyond those of mortal man", then, at one time or another, you bashed the bad guys using judo.

 

 Before he was a master of 127 martial arts (or whatever ridiculous number it's up to now), Batman's hand-to-hand combat skills consisted of boxing, wrestling, savate, jujitsu, and judo. Batman was using judo as far back as Detective Comics No.28 (the second appearance of Batman) during the Golden Age of Comics.

Judo's principle, of using an opponent's size and strength against them, was very appealing to early comic book writers. Kid sidekicks used judo to triumph over burly bruisers like David over Goliath.

  Costumed heroines,

like the Black Cat and the Black Canary, were using it to take names and kick b---years before the world heard of Cathy Gale and Emma Peel.

Here's a look at Dr.Judo,a forgotten hero from the Atomic Age of Comics, in action.

Retro style comic art by Vance Capley.

Grab Judo Comics!Click the pic and order today!

America's Cheesiest Super-Hero by Dave Goode

America's Cheesiest Super-Hero 

by Dave Goode

One of the strangest things to come out of the era of Batmania (1966-1968) was the movie Rat Pfink a Boo Boo. This psychotronic classic is one of those ultra low-budget flick that seems like it was being written as they were going along. And that just may have been the case. It starts out as a rock & roll/juvenile delinquency flick hybrid and, about 40 minutes into the movie, it morphs into a parody of the Batman television show starring the great Adam West. It even has an obviously tacked on prologue to lead you to believe it was intended as a spoof to begin with. But I don't think anyone was ever fooled.

     Ron Haydock stars as Lonnie Lord, R&R star turned masked mystery man. And if anyone ever deserved his status as a cult star it was Haydock (1940-1977). Haydock was a recording artist, editor and writer for monster movie magazines and author of several pornographic novels under the name Vin Saxon. Oddly enough Haydock is billed as Vin Saxon in the credits for this movie.

Carolyn Brandt, a cult star in her own right, plays damsel in distress Cee Cee Beumont, and Titus Moody plays the hero's sidekick. The movie was directed by Ray Dennis  Steckler, who along with

Haydock,wrote the story. At the time Steckler and leading lady Brandt were man and wife. 

 

     

 I first learned about this flick from an article in Castle of Frankenstein. I instantly fell in love with the total cheesiness of the whole thing starting with the hero's costume. However, I didn't see the movie until I bought a VHS copy two decades later. I wasn't disappointed. But then again, my sites weren't set that high.

Good cheesy fun.

   And speaking of fun....Bob Burns as Kogar, the Swinging Ape was an added plus. It makes you wonder why none of the villains on the Batman TV series never had a "pet gorilla" to be unleashed on the Caped Crusader. Gorillas in comics were all the rage during this era.Of course in the alternate universe that runs through my head, there was a comic book adaptation of the movie and a series of comic books that ran for an additional 24 issues starring the ersatz Dynamic Duo.

Retro style comic art by Vance Capley