Can't Always Tell A Book By It's Cover! by Dave Goode

 

You often hear about how DC comic book stories back in the Silver Age were built around the images on the cover. I don't know how often this was done. You would think it would be easier to take a strong image from a story and use it on the cover. But the editors at DC decided it was a comic's cover that sold the book. And that made it the most important part of the comic. And in truth the cover was the selling point. It was the cover that induced the reader to part with their ten or twelve cents. So the editors , writers and artists came up with a striking cover and then wrote a story to go with it. Sometimes the story had very little to do with the cover. That quite wasn't the case with Superman No. 174 (January 1965). Though it could have used the disclaimer that read, "No Scene Like This To Be Found Inside!".

The great Curt Swan/George Klein cover is followed by an equally great splash page by the same artistic tag team. And of course I had wished the whole story was illustrated by them. But Al Plastino does a more than competent job on the story written by Edmond Hamilton. Some might consider that after Swan, Plastino was the definitive Silver Age Superman artist. The story has Adam Newman, a previously unknown character, visiting Clark Kent at the Daily Planet. He reveals to the mild mannered reporter that he and not Kent is Superman. The rest of the story revolves around Kent trying to prove that he's the Man of Steel. And failing miserably.

You know that Clark Kent is Superman. But gosh darn it until those last pages you really start to believe he's suffering from an incredible delusion. And then Hamilton reveals how the hero has been tricked. Sorry no spoilers.Just let me say it's an interesting story. One that doesn't rely on Superman being super. And you even get a cameo by Batman. As a Silver Age kid I for one miss the days When Superman and Batman were best friends. And shared their every secret.